Tuesday, February 1, 2011

Selected Bibliography

Boudaille, Georges. Gustave Courbet: Painter in Protest, Greenwich: New York Graphic
            Society Ltd. 1969.

Cage, John. Silence, Middletown: Wesleyan University Press, 1961.

Coffin, Judith G., Robert C. Stacey, Robert E. Lerner, Standish Meacham. Western Civilizations:
            Their History and Their Culture. New York: W. W. Norton & Co., 2002.

Dachay, Marc. Dada, the Revolt of Art. New York: Harry N. Abrams Inc., 2006.

De Salvo, Donna, Catherine Gudis ed. Ray Johnson, Correspondences. Columbus:
Wexner Center for the Arts, 1999.

Fesci, Sevim. "An Interview with Ray Johnson, 17 April 1968." Archives of American

Fowlie, Wallace. trans., ed., Rimbaud: Complete Works, Selected Letters, A Bilingual Edition.
 Chicago: University of Chicago Press, 1966.

Gamard, Elizabeth Burns. Kurt Schwitters’ Merzbau: the Cathedral of Erotic Misery.
            New York: Princeton Architectural Press, 2000.

Gethin, Rupert. The Foundations of Buddhism. Oxford: Oxford University Press, 1998.

Glueck, Grace. “What Happened? Nothing.” New York Times. 11 April 1965, sec. Art

Godfrey, Tony. Conceptual Art. London: Phaidon Press Limited, 1998.

Goldberg, Rose Lee. “Performance – Art for All?” Art Journal, Vol. 40, No. ½, Autumn-Winter
1980. http://www.jstor.org.ezproxy.montclair.edu:2048/stable/776603?&Search=yes&term=performance&term=art&term=goldberg&list=hide&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dperformance%2Bart%2Bfor%2Ball%2Bgoldberg%26gw%3Djtx%26prq%3Dperformance%2Bart%2Bfor%2Ball%26Search%3DSearch%26hp%3D25%26wc%3Don&item=2&ttl=5038&returnArticleService=showArticle.

Hendricks, Geoffrey. Critical Mass: Happenings, Fluxus, Performance, Intermedia and
            Rutgers University 1958-1972. New Brunswick: Rutgers University Press, 2003.

Hendricks, Jon. Fluxus Codex. Detroit: Harry N. Abrams Inc., 1998.

Higgins, Hannah. Fluxus Experience. Berkley and Los Angeles: University of California
            Press, 2002.

Hindman, James T. "Self-Performance: Allan Kaprow's Activities." The Drama Review:
 TDR. Vol. 23, No. 1, (March, 1979).

Horowitz, Frederick A., Brenda Danilowitz. Josef Albers, the Bauhaus, Black Montain
 College and Yale. London: Phaidon Press Limited, 2006.

Johnson, Ray.  Radio interview by Shirley Samberg for, "That's Interesting." 9/13/84,
            transcribed by John Walter.

Johnson, Ray. Interview by R. Pieper. In Mail, Etc. University of Colorado, Tyler School
 of Art, etc., 1980.

Kimmelman, Michael. "A Collage in Which Life = Art = Death." The New York Times.

Kirby, Michael. "Allan Kaprow's "Eat"," The Tulane Drama Review, Vol. 10, No. 2,

Kirby, Michael.  Futurist Performance. New York: E. P. Dutton & Co. Inc. 1971.

Kaplan, Janet A., Bracken Hendricks, Geoffrey Hendricks, Hannah Higgins, Alison
            Knowles. “Flux Generations.” Art Journal. Vol. 59, No. 2. (Summer 2000),

Marks, Peter. "Friends of an Enigmatic Artist See a Riddle in His Death." New York

Marter, Joan. Off Limits: Rutgers University and the Avant-Garde, 1957-1963. New
            Brunswick: Rutgers University Press, 1999.

Martin, Henry. “Should an Eyelash Last Forever? An interview with Ray Johnson by
            Henry Martin.” La Poetica, Feb. 1984.

Motherwell, Robert. The Dada Painters and Poets, an Anthology. Cambridge: The
 Belknap Press of Harvard University Press, 1981.

Naumann, Francis M., Marcel Duchamp. "Affecteusement Marcel: Ten Letters from
            Marcel Duchamp to Suzanne Duchamp and Jean Crotti." Archives of American
            Art Journal, Vol. 22, No. 4, 1982, 13.

Orin, Michael. "Anti-Art as the End of Cultural History." Performing Arts Journal. Vol.

Phillpot, Clive, Jon Hendricks. Fluxus:Selections from the Gilbert and Lila Silverman
 Collection. New York: Museum of Modern Art, 1988.

Poggioli, Renato. The Theory of the Avant-Garde. Trans. Gerald Fitzgerald. Cambridge: The
            Belknap Press of Harvard University Press, 1968.

Richter, Hans. Dada: Art and Anti-Art. London: Thames & Hudson Ltd., 1997.

Santina, Peter Della. The Tree of Enlightenment. Tapei: The Corporate Body of the Buddha
            Educational Foundation, 1997.

Schwitters, Kurt. Poems Performance Pieces Proses Plays Poetics. trans. and ed. Jerome
 Rothenberg, Pierre Joris. Cambridge: Exact Change, 2002.

Silberman, Robert. “In the Spirit of Fluxus, Minneapolis” The Burlington Magazine, Vol.
 135., No. 1083, (June 1993), www.jstor.org.

Smith, Owen. Fluxus: the History of an Attitude. San Diego: San Diego State University
            Press, 1998.

Spiselman, Toby R. "Send Letters, Postcards, Drawings and Objects…." Art Journal.
 Vol. 36, No. 3, (Spring 1977),

Spodarek, Diane,  Randy Delbeke, "Interview with Ray Johnson," Detroit Artists

Suiter, John. "Last Post." The London Independent. June 4, 2000.

Tzara, Tristan. "Aproximate Man" and other Writings. With a foreward by Mary Ann
            Caws. Boston: Black Widow Press, 2005.

Wallach, Amei. ed. “Dear Friends of Ray, and Audiences of One.” New York Times. Feb.
28, 1999. http://query.nytimes.com/gst/fullpage.html?res=9B00E6DA113DF93BA15751C0A96F958260&scp=1&sq=dear%20friends%20of%20ray%20audiences%20of%20one&st=cse.

Watson, Scott, ed. Ray Johnson: How Sad I am Today…. Vancouver: Morris and Helen
            Belkin Art Gallery, 2001.

William Wilson. Ray Johnson: En Rapport. New York: Feigen Contemporary, 2006.

How to Draw a Bunny. Directed by John Walter. New York, NY: Palm Pictures LLC,
            2000. DVD.

Fully Awake, Black Mountain College, Film by Cathryn Davis Zommer, Neeley House. Elon,
            NC, ElonDocs Production, 2007. DVD.

The Ray Johnson Videos, Nicholas Maravell. 2007.

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